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Professor Harry J. Elam，Department of Theater and Performance Studies at Stanford University（图）
Professor Harry J. Elam Department of Theater and Performance Studies at Stanford University
2016/5/27
Vice Provost for Undergraduate Education; Olive H. Palmer Professor in the Humanities; Robert and Ruth Halperin University Fellow for Undergraduate Education; Director of the Institute for Diversity i...
Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change
feminist poetry poetry performance performance poetry folk tradition folk funk punk political rhetoric social radicalism social activism urban literacy women's music festival women's music womyn outsider art grassroots movements
2015/1/8
My thesis examines the ways in which female performance poets deliver their messages and how those messages inspire, affirm, and encourage their audiences. From the traditions of outsider art—Beat poe...
Subversive identities;Ethno-techno and Gómez-Peña’s cross-cultural performance’
Gómez-Peñ a Ethno-techno cross-cultural performance’
2009/7/15
When understood as technique, the body and the bodily event are bound by a logocentric conviction that physical life is the pursuit of a correct and truthful way of moving. Thus technique can parcel t...
The Not Quite Real Miles Franklin:Diaries as Performance
Australian Literature Diaries Franklin
2008/10/17
“Did she not threaten us all with her diary, to be published when
she was safely dead?”
(Marjorie Barnard qtd. in Carole Ferrier, As Good as a
Yarn with You 21)